{"id":5946,"date":"2013-04-05T08:00:23","date_gmt":"2013-04-05T06:00:23","guid":{"rendered":"http:\/\/www.option-culture.com\/?p=5946"},"modified":"2014-08-06T22:34:19","modified_gmt":"2014-08-06T20:34:19","slug":"visiteurs-photographes-au-musee","status":"publish","type":"post","link":"https:\/\/www.option-culture.com\/?p=5946","title":{"rendered":"Visiteurs photographes au mus\u00e9e"},"content":{"rendered":"<p><span style=\"color: #000080;\"><strong>Visiteurs photographes au mus\u00e9e<\/strong><\/span><br \/>\nCollection Mus\u00e9es-Mondes<br \/>\nR\u00e9f. 9782110092120<br \/>\n320 pages 24 \u20ac<\/p>\n<p>Sous la <strong>direction <\/strong>de Serge Chaumier,\u00a0Anne Krebs et M\u00e9lanie Roustan<\/p>\n<p><strong><span style=\"color: #000080;\">Contributions<\/span> <\/strong>: Micha\u00ebl Bourgatte, Nathalie Casemajor Loustau, Serge Chaumier, Sylvaine Conord, No\u00e9mie\u00a0Couillard, M\u00e9lanie Dulong de Rosnay, Jacqueline Eidelman, \u00c9milie Flon, S\u00e9verine Giordan, Andr\u00e9 Gunthert, Bernard\u00a0Hasquenoph, Annie H\u00e9ritier, Ir\u00e8ne Jonas, Anne Krebs, Pierre Lannoy, Ga\u00eblle Lesaffre, Valentina Marziali, Susanna\u00a0Muston, Martine Regourd, Chlo\u00e9 Roubert, M\u00e9lanie Roustan, G\u00e9raldine Salord, Jean-Michel Tobelem, Dominique\u00a0Trouche, H\u00e9cate Vergopoulos.<\/p>\n<p style=\"text-align: justify;\"><a href=\"https:\/\/www.option-culture.com\/wp-content\/uploads\/2013\/04\/Visiteurs-photographes.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter\" alt=\"Visiteurs-photographes\" src=\"https:\/\/www.option-culture.com\/wp-content\/uploads\/2013\/04\/Visiteurs-photographes.jpg\" width=\"252\" height=\"384\" \/><\/a>En voici le <strong><span style=\"color: #000080;\">sommaire<\/span><\/strong>.<\/p>\n<p><strong>Introduction<\/strong><\/p>\n<ul>\n<li>Photographier au mus\u00e9e : de l&rsquo;interdiction \u00e0 la <em>participation (Serge Chaumier, Anne Krebs, M\u00e9lanie Roustan)<\/em><\/li>\n<\/ul>\n<p><strong>Interdire\/Autoriser. Le juridique au centre de la controverse\u00a0?<\/strong><\/p>\n<ul>\n<li>L\u2019appropriation de l\u2019image des collections\u00a0: quels droits pour les visiteurs photographes\u00a0? <em>(G\u00e9raldine Salord)<\/em><\/li>\n<li><em> <\/em>L\u2019interdiction de photographier au mus\u00e9e. Enfreindre le droit du public ou d\u00e9fendre l\u2019int\u00e9r\u00eat du service public\u00a0? Un dilemme juridique \u00e0 (ne pas) r\u00e9soudre <em>(Anne H\u00e9ritier)<\/em><\/li>\n<li>Les politiques institutionnelles, entre restructurations contractuelles et collaboration avec des sites de partage <em>(M\u00e9lanie Dulong de Rosnay)<\/em><\/li>\n<li>Le droit de photographie au Louvre. Conditions de visite et conditions de travail <em>(Anne Krebs)<\/em><\/li>\n<li>Photographier au mus\u00e9e d\u2019Orsay, interdiction et r\u00e9sistance <em>(Bernard Hasquenoph)<\/em><\/li>\n<li>Interlude photographique <em>(Hilli Hassemer)<\/em><\/li>\n<\/ul>\n<p><strong>Du c\u00f4t\u00e9 des visiteurs. Pratiques photographiques et usages des photographes<\/strong><\/p>\n<ul>\n<li>Les visiteurs et leurs clich\u00e9s, figures de l\u2019activit\u00e9 photographique au mus\u00e9e Autoworld de Bruxelles <em>(Pierre Lannoy et Valentina Marziali)<\/em><\/li>\n<li>Les visiteurs photographes du mus\u00e9e Rodin <em>(Sylvaine Conord et Ir\u00e8ne Jonas)<\/em><\/li>\n<li>Les visiteurs photographes autour de la <em>Pierre<\/em><em> de Rosette<\/em> au Bristih Museum <em>(Chlo\u00e9 Roubert)<\/em><\/li>\n<li>Interlude photographique <em>(Corinne Vionnet)<\/em><\/li>\n<li>Entre disparition et documentation\u00a0: les photographies du groupe Flickr \u00ab\u00a0Mus\u00e9e du quai Branly\u00a0\u00bb <em>(Ga\u00eblle Lesaffre)<\/em><\/li>\n<li>Photographier, annoter, commenter\u00a0: l\u2019exemple des blogs <em>(S\u00e9verine Giordan)<\/em><\/li>\n<li>Les \u00ab\u00a0Gardiens\u00a0\u00bb de Davide Pizzigoni\u00a0: d\u2019une photographie d\u2019amateur \u00e0 une pratique d\u2019interrogation du mus\u00e9e <em>(Suzanna Muston)<\/em><\/li>\n<li>Interlude photographique <em>(G\u00e9rard Ritter et ses \u00e9l\u00e8ves)<\/em><\/li>\n<\/ul>\n<p><strong>La photographie comme instrument des politiques des publics<\/strong><\/p>\n<ul>\n<li>Le<em> Roman-photo<\/em> des visiteurs au mus\u00e9e gallo-romain de Lyon-<em>Fourvi\u00e8re (Emilie Flon et Dominique Trouche)<\/em><\/li>\n<li>Les concours photographiques ou les ambigu\u00eft\u00e9s de la participation des visiteurs <em>(No\u00e9mie Couillard)<\/em><\/li>\n<li>Petite ethnographie de la photocabine \u00ab\u00a0r\u00e9tro\u00a0\u00bb dans les lieux de culte <em>(Micha\u00ebl Bourgatte et H\u00e9cate Vergopulos)<\/em><\/li>\n<li>Sortir le mus\u00e9e de sa r\u00e9serve\u00a0: une archive photographique des collections du Museum e Toulouse dans Wikipedia <em>(Nathalie \u00a0Casemajor Loustau)<\/em><\/li>\n<li>De quoi l\u2019interdiction de photographie dans les mus\u00e9es est-elle le nom\u00a0? <em>(Martine Regourd et Jean-Michel Tobelem)<\/em><\/li>\n<li>Interlude photographique <em>(Robert Baronet)<\/em><\/li>\n<\/ul>\n<p><strong>Con<\/strong><strong>clusion<\/strong><em><strong><br \/>\n<\/strong><\/em><\/p>\n<ul>\n<li>La photo-souvenir, monument de l\u2019histoire priv\u00e9e (Andr\u00e9 Gunthert)<\/li>\n<\/ul>\n<p><strong> Postface<\/strong><\/p>\n<p>Un groupe de travail \u00ab\u00a0Visite des lieux patrimoniaux et pratiques photographiques\u00a0\u00bb au minist\u00e8re de la Culture et de la Communication <em>(Jacqueline Eidelman)<\/em><\/p>\n<p><strong>Pr\u00e9sentation des auteurs<\/strong><\/p>\n<p><a href=\"https:\/\/www.option-culture.com\/wp-content\/uploads\/2013\/04\/Orsay-2013.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter\" alt=\"Orsay 2013\" src=\"https:\/\/www.option-culture.com\/wp-content\/uploads\/2013\/04\/Orsay-2013.jpg\" width=\"451\" height=\"254\" \/><\/a>Une lecture vivement recommand\u00e9e \u00e0 l&rsquo;heure o\u00f9 le mus\u00e9e d&rsquo;Orsay, notamment, pr\u00e9tend interdire l&rsquo;usage de la photographie dans ses murs, sans aucune justification.<\/p>\n<p>A <strong><span style=\"color: #333399;\">lire<\/span> <\/strong>: <a href=\"http:\/\/www.club-innovation-culture.fr\/melanie-roustan-cnrs-nous-ouvrons-la-reflexion-sur-les-usages-actuels-et-potentiels-de-la-photographie-amateur-au-musee-dans-la-perspective-dun-renouvellement-des-liens-entre-les-musees\/\">http:\/\/www.club-innovation-culture.fr\/melanie-roustan-cnrs-nous-ouvrons-la-reflexion-sur-les-usages-actuels-et-potentiels-de-la-photographie-amateur-au-musee-dans-la-perspective-dun-renouvellement-des-liens-entre-les-musees\/<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Visiteurs photographes au mus\u00e9e Collection Mus\u00e9es-Mondes R\u00e9f. 9782110092120 320 pages 24 \u20ac Sous la direction de Serge Chaumier,\u00a0Anne Krebs et M\u00e9lanie Roustan Contributions : Micha\u00ebl Bourgatte, Nathalie Casemajor Loustau, Serge Chaumier, Sylvaine Conord, No\u00e9mie\u00a0Couillard, M\u00e9lanie Dulong de Rosnay, Jacqueline Eidelman, \u00c9milie Flon, S\u00e9verine Giordan, Andr\u00e9 Gunthert, Bernard\u00a0Hasquenoph, Annie H\u00e9ritier, Ir\u00e8ne Jonas, Anne Krebs, Pierre Lannoy, [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":5980,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[16,32,13,63,12,8,23],"tags":[],"class_list":["post-5946","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-musees","category-ntic-2","category-patrimoine","category-photographie","category-politique-culturelle","category-publications","category-publics"],"_links":{"self":[{"href":"https:\/\/www.option-culture.com\/index.php?rest_route=\/wp\/v2\/posts\/5946","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.option-culture.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.option-culture.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.option-culture.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.option-culture.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=5946"}],"version-history":[{"count":9,"href":"https:\/\/www.option-culture.com\/index.php?rest_route=\/wp\/v2\/posts\/5946\/revisions"}],"predecessor-version":[{"id":5985,"href":"https:\/\/www.option-culture.com\/index.php?rest_route=\/wp\/v2\/posts\/5946\/revisions\/5985"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.option-culture.com\/index.php?rest_route=\/wp\/v2\/media\/5980"}],"wp:attachment":[{"href":"https:\/\/www.option-culture.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=5946"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.option-culture.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=5946"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.option-culture.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=5946"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}