{"id":4121,"date":"2011-12-08T08:00:40","date_gmt":"2011-12-08T07:00:40","guid":{"rendered":"http:\/\/blog.option.culture.marrot.org\/?p=4121"},"modified":"2011-12-08T08:00:40","modified_gmt":"2011-12-08T07:00:40","slug":"the-arts-in-times-of-crisis-british-and-french-perspectives","status":"publish","type":"post","link":"https:\/\/www.option-culture.com\/?p=4121","title":{"rendered":"The Arts in Times of Crisis, British and French Perspectives"},"content":{"rendered":"<p>On trouvera l&rsquo;ensemble des informations relatives au colloque \u00ab\u00a0LES ARTS EN TEMPS DE CRISE, PERSPECTIVES FRANCO-BRITANNIQUES\u00a0\u00bb (15 et 16 d\u00e9cembre 2011) \u00e0 l&rsquo;adresse suivante : <a href=\"http:\/\/artsintimesofcrisis.wordpress.com\/\">http:\/\/artsintimesofcrisis.wordpress.com.<\/a><\/p>\n<p>En voici la <strong><span style=\"color: #800000;\">pr\u00e9sentation<\/span><\/strong> en anglais.<\/p>\n<p><span style=\"color: #000080;\"><strong>The Arts in Times of Crisis<\/strong><\/span><\/p>\n<p style=\"text-align: justify;\">The recent turmoil in the global economy has blighted all countries and areas of public policy. In France and the United-Kingdom, the cultural field\u2019s resources being often seen as an adjustment tool against other prioritized public services such as employment, health or education \u2014 the consequences of this for artists, arts institutions (notably museums and galleries) as well as local authorities, central governments and funding agencies are potentially wide-ranging. Moreover, new possibilities of private support and volunteering are being explored by governments, just when these sectors are also being hit by the crisis.<\/p>\n<p style=\"text-align: justify;\">How are organisations managing the pressures that they are being placed under? How are decisions about savings being made by politicians, managers and practising artists? Has the axe started to fall and, if so, where? What alternative private, voluntary and public sources of income have been found? Have the local and regional levels been affected in a different way from the national? Have higher education training courses targeted at the artists and arts managers of the future modified their offerings to prepare their students to deal with the situation?<\/p>\n<p style=\"text-align: justify;\">The conference intends to question the policy, organisational and economic choices that political actors are facing as they deal with the consequences of a return to hard times for governments. The developing similarities between France and Britain in terms of managing the arts provides an opportunity to examine how governments are confronting the new challenges that exist, and to conclude to what extent this convergence phenomenon is a long-lasting one.<\/p>\n<p>\u00a0<a href=\"https:\/\/www.option-culture.com\/wp-content\/uploads\/2011\/11\/artscrisis.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-4128 aligncenter\" title=\"artscrisis\" src=\"https:\/\/www.option-culture.com\/wp-content\/uploads\/2011\/11\/artscrisis.jpg\" alt=\"\" width=\"940\" height=\"198\" srcset=\"https:\/\/www.option-culture.com\/wp-content\/uploads\/2011\/11\/artscrisis.jpg 940w, https:\/\/www.option-culture.com\/wp-content\/uploads\/2011\/11\/artscrisis-300x63.jpg 300w\" sizes=\"auto, (max-width: 940px) 100vw, 940px\" \/><\/a><\/p>\n<p align=\"center\"><strong><span style=\"color: #800000;\"><em>The Arts in Times of Crisis<\/em>, <em>British and French Perspectives<\/em><\/span><\/strong><\/p>\n<p align=\"center\"><strong><span style=\"color: #800000;\">Les Arts en temps de Crise, Perspectives Franco-britanniques<\/span><\/strong><\/p>\n<p align=\"center\"><span style=\"color: #000080;\"><strong>Programme<\/strong><\/span><\/p>\n<p align=\"center\">Organisation: CICC, Universit\u00e9 de Cergy-Pontoise \/ <em>Centre for Cultural Policy Studies, University of Warwick<\/em><\/p>\n<p><strong><span style=\"color: #800000;\">Jeudi 15 d\u00e9cembre<\/span> : UCP, Salle de conf\u00e9rence, Ch\u00eanes 1<\/strong><\/p>\n<p><strong>10h30<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <strong>Ouverture du colloque<\/strong><\/p>\n<p>Hung The Diep, Vice-pr\u00e9sident du conseil scientifique<\/p>\n<p>Ren\u00e9 Lasserre, Directeur du centre de recherche Civilisations et identit\u00e9s culturelles compar\u00e9es (CICC)<\/p>\n<p>Diana Burgos-Vigna, Directrice UFR Langues et directrice ajointe du CICC<\/p>\n<p><strong>10h40-10h55<\/strong><\/p>\n<p><strong>Clive Gray<\/strong><strong> <\/strong>(Professor in Cultural Policy, University of Warwick)<\/p>\n<p><strong>C\u00e9cile Doustaly <\/strong>(Ma\u00eetre de conf\u00e9rences en civilisation britannique, Universit\u00e9 de Cergy-Pontoise)<\/p>\n<p>Introduction : <strong><em>Defining the crisis, identifying\u00a0solutions for the arts and heritage sector<\/em><\/strong><\/p>\n<p>Introduction\u00a0: D\u00e9finir la crise, identifier des solutions pour le secteur des arts et du patrimoine<\/p>\n<h3><span style=\"color: #333399;\">Session 1 : Economy and Culture \/ \u00c9conomie et culture<\/span><\/h3>\n<p><strong>CHAIR : Perry ANDERSON<\/strong>, Distinguished Professor of European History, UCLA<strong><br \/>\n<\/strong><\/p>\n<p><strong>10h55-11h25<\/strong><\/p>\n<p><strong>David Looseley<\/strong> (KEY SPEAKER), Emeritus Professor of Contemporary French Culture, University of Leeds<\/p>\n<p><strong><em>(Re)thinking the crisis: attitudes to culture and the economy in <\/em><\/strong><strong><em>France<\/em><\/strong><strong><em> and <\/em><\/strong><strong><em>England<\/em><\/strong><strong><em>, then and now<\/em><\/strong><strong><\/strong><\/p>\n<p>(Re)penser la crise : comportements \u00e0 l\u2019\u00e9gard du rapport culture-\u00e9conomie en France et en Angleterre, hier et aujourd\u2019hui<\/p>\n<p><strong>11h25-11h45<\/strong><\/p>\n<p><strong>Jean-Michel Tobelem, <\/strong>Docteur en gestion, directeur d&rsquo;Option Culture et de la collection \u00ab\u00a0Gestion de la culture\u00a0\u00bb chez l&rsquo;Harmattan<strong><\/strong><\/p>\n<p><strong><em>The arts and culture: <\/em><\/strong><strong><em>burden or contributor for exiting the crisis?<\/em><\/strong><strong><\/strong><\/p>\n<p>Les arts et la culture\u00a0: fardeau ou facteur de sortie de crise ?<\/p>\n<p><strong>11h45-12h05<\/strong><\/p>\n<p><strong>K\u00e9vin Matz, <\/strong>Doctorant en Science politique, universit\u00e9 de Strasbourg<\/p>\n<p><strong><em>Culture and local entities facing the crisis: limits and perspectives of the doctrine of economic<\/em><\/strong> <strong><em>development in local cultural policies<\/em><\/strong><\/p>\n<p>La culture et les territoires face \u00e0 la crise\u00a0: enjeux et limites du credo du d\u00e9veloppement \u00e9conomique<\/p>\n<p><strong>12h05-12h35<\/strong> discussion<\/p>\n<h3><span style=\"color: #333399;\">Session 2 : Sectoral Case Studies (1) \/ \u00c9tudes de cas sectorielles (1)<\/span><\/h3>\n<p><strong>CHAIR : Sylvie PFLIEGER<\/strong>, Ma\u00eetre de conf\u00e9rences en \u00e9conomie, GEPECS, Universit\u00e9 Paris Descartes<strong><br \/>\n<\/strong><\/p>\n<p><strong>14h10-14h30<\/strong><\/p>\n<p><strong>Sylvie Nail<\/strong>, Professeur de civilisation britannique \u00e0 l\u2019Universit\u00e9 de Nantes<\/p>\n<p><strong><em>&lsquo;Hands off my trees\u00a0!&rsquo; Of trees and the arts in the context of the projected clearfelling of the Forestry Commission<\/em><\/strong><\/p>\n<p>\u00ab\u00a0Touche pas \u00e0 mes arbres\u00a0!\u00a0\u00bb Les arts et les arbres face au projet de coupe \u00e0 blanc de la Forestry Commission<\/p>\n<p><strong>14h30-14h50<\/strong><\/p>\n<p><strong>Alexandre Massipe, <\/strong>Ma\u00eetre de conf\u00e9rences, docteur en Esth\u00e9tique et Sciences de l\u2019Art, Universit\u00e9 Panth\u00e9on-Sorbonne &#8211; Paris I<strong><\/strong><\/p>\n<p><strong><em>British and French libraries in the face of the crisis<\/em><\/strong><\/p>\n<p>Les biblioth\u00e8ques britanniques et fran\u00e7aises \u00e0 l\u2019\u00e9preuve de la crise<\/p>\n<p><strong>14h50-15h10 <\/strong>discussion<\/p>\n<h3><span style=\"color: #333399;\">Session 3 : Sectoral Case Studies (2) \/ \u00c9tudes de cas sectorielles (2)<\/span><\/h3>\n<p><strong>CHAIR : Jean-C\u00e9dric DELVAINQUIERE<\/strong>, Charg\u00e9 d&rsquo;\u00e9tude, DEPS, minist\u00e8re de la Culture<strong><br \/>\n<\/strong><\/p>\n<p><strong>15h20-15h40<\/strong><\/p>\n<p><strong>Elizabeth Auclair, <\/strong>Ma\u00eetre de conf\u00e9rences en am\u00e9nagement, MRTE, Universit\u00e9 de Cergy-Pontoise<strong><\/strong><\/p>\n<p><strong><em>Culture and sustainable development: a new dynamics or a perversion of meaning?<\/em><\/strong><\/p>\n<p>L\u2019articulation culture-d\u00e9veloppement durable : nouvelle dynamique artistique ou d\u00e9voiement de sens\u00a0?<\/p>\n<p><strong>15h40-16h00<\/strong><\/p>\n<p><strong>Sophia Labadi<\/strong>, Docteur, Unesco<strong><\/strong><\/p>\n<p><strong><em>Evaluating the socio-economic impacts of selected regenerated heritage sites in <\/em><\/strong><strong><em>France<\/em><\/strong><strong><em> and <\/em><\/strong><strong><em>England<\/em><\/strong><strong><em><\/em><\/strong><\/p>\n<p><em>\u00c9valuer l&rsquo;impact socio-\u00e9conomique de projets de r\u00e9novation de sites patrimoniaux\u00a0: exemples fran\u00e7ais et britanniques<\/em><\/p>\n<p><strong>16h00-16h20 <\/strong>discussion<\/p>\n<h3><span style=\"color: #333399;\">Session 4 : Round table \/<em> <\/em>Table ronde<\/span><em><\/em><\/h3>\n<p><strong><em>Sponsorship, Markets, States, or &#8230; : Funding Alternatives in Times of Crisis<\/em><\/strong><\/p>\n<p>M\u00e9c\u00e9nat, March\u00e9, \u00c9tat, ou&#8230; quels <em>financements alternatifs en temps de crise ?<\/em><\/p>\n<p><strong>CHAIR\u00a0 David Looseley <\/strong>Emeritus Professor of Contemporary French Culture, University of Leeds<strong><br \/>\n<\/strong><\/p>\n<p><strong>16h30-17h30<\/strong><\/p>\n<ul>\n<li>Perry ANDERSON Distinguished Professor of European History, UCLA<\/li>\n<li>Jean-\u00adC\u00e9dric DELVAINQUIERE Charg\u00e9 d&rsquo;\u00e9tudes, DEPS, Minist\u00e8re de la culture<\/li>\n<li>Laetitia MANACH Directrice des projets artistiques \/ Head of Arts, British Council<\/li>\n<li>Sylvie PFLIEGER Ma\u00eetre de conf\u00e9rences en \u00e9conomie, GEPECS, Universit\u00e9 Paris Descartes<\/li>\n<li>Roger TROPEANO Pr\u00e9sident, Les Rencontres (Association of European Cities and Regions for Culture -\u00ad Association des villes et r\u00e9gions de la grande Europe pour la culture)<\/li>\n<\/ul>\n<p><strong><span style=\"color: #800000;\">Vendredi 16 d\u00e9cembre<\/span>, Auditorium du mus\u00e9e Rodin<\/strong><\/p>\n<p><strong>9h30\u00a0\u00a0\u00a0\u00a0 Accueil <\/strong>par Mme Fran\u00e7oise Moulin-Civil, pr\u00e9sidente de l&rsquo;Universit\u00e9 de Cergy-Pontoise<\/p>\n<h3><span style=\"color: #333399;\">Session 5 : Culture Managers Facing the Crisis \/ Les manageurs culturels face \u00e0 la crise<\/span><\/h3>\n<p><strong><strong>CHAIR : Emmanuel ROUDAUT<\/strong><\/strong>, Ma\u00eetre de conf\u00e9rences en civilisation britannique, IEP Lille<strong><strong><br \/>\n<\/strong><\/strong><strong><\/strong><\/p>\n<p><strong>9h40-10h00<\/strong><\/p>\n<p><strong>Vincent Dubois, <\/strong>Professeur de sociologie et de science politique, IEP\/Universit\u00e9 de Strasbourg<\/p>\n<p><strong><em>On becoming an arts manager: a vocation in times of crisis<\/em><\/strong><\/p>\n<p>Devenir manager culturel\u00a0: une vocation en temps de crise<\/p>\n<p><strong>10h00-10h20<\/strong><\/p>\n<p><strong>Giannalia Cogliandro<\/strong>, ENCATC Secretary General and Thomassen Fund Administrator (European Network of Cultural Administration Training Centers)<\/p>\n<p><strong><em>Arts Management: a crisis or a turning point? <\/em><\/strong><strong><em>The role of ENCATC<\/em><\/strong><\/p>\n<p>Le management culturel : crise ou transition\u00a0? Le role d&rsquo;ENCATC<\/p>\n<p><strong>10h20-10h40<\/strong> discussion<\/p>\n<h3><span style=\"color: #333399;\">Session 6 : Arts Education and Mediation Questioned \/ L&rsquo;\u00e9ducation et la m\u00e9diation artistiques en question<\/span><\/h3>\n<p><strong>CHAIR<strong> : Charlotte GOULD<\/strong><\/strong>, Ma\u00eetre de conf\u00e9rences en arts britanniques universit\u00e9 Sorbonne Nouvelle \u2013 Paris 3<\/p>\n<p><strong>10h50-11h10<\/strong><\/p>\n<p><strong>Henrietta Hine<\/strong>, Curator, artist, head of Public Programmes at The Courtauld Institute of Art, University of London<strong><\/strong><\/p>\n<p><strong><em>What a Difference a Decade Makes: the rise and fall of government support for creative learning [the example of museums and galleries]<\/em><\/strong><\/p>\n<p>Ce qu\u2019une d\u00e9cennie peut changer : l\u2019essor et la chute de l\u2019effort gouvernemental en faveur de l\u2019apprentissage de la cr\u00e9ativit\u00e9<\/p>\n<p><strong>11h10-11h30<\/strong><\/p>\n<p><strong>John Steers<\/strong>, General Secretary, NSEAD, National Society for Education in Art &amp; Design<strong><\/strong><\/p>\n<p><strong><em>Art &amp; Design Education at the Crossroads<\/em><\/strong><\/p>\n<p>L&rsquo;\u00e9ducation artistique \u00e0 la crois\u00e9e des chemins<\/p>\n<p><strong>11h30-11h50<\/strong><\/p>\n<p><strong>Marie-Fran\u00e7oise Chavanne<\/strong>,<strong> <\/strong>Doyenne IA-IPR d&rsquo;arts plastiques, acad\u00e9mie de Versailles, pr\u00e9sidente honoraire de l&rsquo;INSEA (International Society of Education through Art)<strong><\/strong><\/p>\n<p><strong><em>Recent Evolutions in the secondary arts education syllabus in <\/em><\/strong><strong><em>France<\/em><\/strong><strong><em>: a tool against the crisis?<\/em><\/strong><\/p>\n<p>Les \u00e9volutions r\u00e9centes des programmes d&rsquo;\u00e9ducation artistique dans l&rsquo;enseignement secondaire en France\u00a0: un outil contre la crise ?<\/p>\n<p><strong>11h50-12h20 <\/strong>discussion<\/p>\n<h3><span style=\"color: #333399;\">Session 7 : New perspectives in museography and curating \/ Nouvelles perspectives de mus\u00e9ographie et de commissariat d&rsquo;exposition<\/span><\/h3>\n<p><strong>CHAIR : <strong>Clotilde BOUST<\/strong><\/strong>, Art Conservation Scientist, C2RMF (Centre de recherche et de restauration des mus\u00e9es de France) ; CHCSC \/ MESCIA, universit\u00e9 de Versailles-St-Quentin<strong><br \/>\n<\/strong><\/p>\n<p><strong>14h00-14h20<\/strong><\/p>\n<p><strong>Nina Pearlman<\/strong>, <em>Manager of UCL <\/em>Art Collections, University College London<\/p>\n<p><strong><em>THE POP-UP exhibition: sustainable approaches to public engagement<\/em><\/strong><\/p>\n<p>Les expositions portables\u00a0: approches durables de la participation du public<\/p>\n<p><strong>14h20-14h40<\/strong><\/p>\n<p><strong>V\u00e9ronique Pauly, <\/strong>Ma\u00eetre de conf\u00e9rences anglais, Centre d\u2019Histoire Culturelle des Soci\u00e9t\u00e9s Contemporaines (CHCSC), Universit\u00e9 de Versailles-St-Quentin<\/p>\n<p><strong><em>Art-science collaborations : capital investments ?<\/em><\/strong><\/p>\n<p>Les collaborations entre arts et sciences, des investissements capitaux\u00a0?<\/p>\n<p><strong>14h40-15h00 <\/strong>discussion<\/p>\n<p>15h00 -15h10 pause<strong><\/strong><\/p>\n<h3><span style=\"color: #333399;\">Session 8 : Private and Public Structures: Converging Models? \/ Structures priv\u00e9es &#8211; structures publiques\u00a0: des convergences de mod\u00e8le ?<\/span><\/h3>\n<p><strong>CHAIR : <strong>Odile BOUCHER-RIVALAIN<\/strong><\/strong>, Professeur de litt\u00e9rature et arts britanniques CICC, Universit\u00e9 de Cergy-Pontoise<strong><br \/>\n<\/strong><\/p>\n<p><strong>15h10-15h30<\/strong><\/p>\n<p><strong>Anne Krebs<\/strong>, Chef du service \u00c9tudes, \u00e9valuation et prospective, mus\u00e9e du Louvre<strong><\/strong><\/p>\n<p><strong><em>The managerial implications of the crisis on museums in <\/em><\/strong><strong><em>Europe<\/em><\/strong><strong><em><\/em><\/strong><\/p>\n<p>Les implications manag\u00e9riales de la crise sur les mus\u00e9es en Europe<\/p>\n<p><strong>15h30-15h50<\/strong><\/p>\n<p><strong>Maia Drouard<\/strong>,<strong> <\/strong>Doctorante en sociologie, universit\u00e9 de Picardie Jules Verne<strong><\/strong><\/p>\n<p><strong><em>A \u00ab\u00a0great national cause\u00a0\u00bb without a State: the role of sponsorship in non listed rural heritage sites<\/em><\/strong><strong><em><\/em><\/strong><\/p>\n<p>Une \u00ab\u00a0grande cause nationale\u00a0\u00bb sans Etat\u00a0: la place du m\u00e9c\u00e9nat dans la pr\u00e9servation du patrimoine rural non class\u00e9<\/p>\n<p><strong>15h50-16h10 <\/strong>discussion<\/p>\n<h3>16h10-16h30 C\u00e9cile Doustaly et Clive Gray\u00a0: Conclusions du colloque &amp; derniers \u00e9changes<\/h3>\n","protected":false},"excerpt":{"rendered":"<p>On trouvera l&rsquo;ensemble des informations relatives au colloque \u00ab\u00a0LES ARTS EN TEMPS DE CRISE, PERSPECTIVES FRANCO-BRITANNIQUES\u00a0\u00bb (15 et 16 d\u00e9cembre 2011) \u00e0 l&rsquo;adresse suivante : http:\/\/artsintimesofcrisis.wordpress.com. En voici la pr\u00e9sentation en anglais. The Arts in Times of Crisis The recent turmoil in the global economy has blighted all countries and areas of public policy. In [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[17,21,12],"tags":[],"class_list":["post-4121","post","type-post","status-publish","format-standard","hentry","category-colloques","category-financement","category-politique-culturelle"],"_links":{"self":[{"href":"https:\/\/www.option-culture.com\/index.php?rest_route=\/wp\/v2\/posts\/4121","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.option-culture.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.option-culture.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.option-culture.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.option-culture.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=4121"}],"version-history":[{"count":0,"href":"https:\/\/www.option-culture.com\/index.php?rest_route=\/wp\/v2\/posts\/4121\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.option-culture.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=4121"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.option-culture.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=4121"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.option-culture.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=4121"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}